Lit in the Time of Coronavirus: Borges and Nagibin

In Which I Read “Ficciones” by Jorge Luis Borges and “Arise and Walk” by Yuri Nagibin

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Happy Hanukkah! I have been reading four books, but I’ve only managed to finish two so far. The other two will be kept a secret until next week. Meanwhile, I’ve reviewed the two books that I have read…

Ficciones, by Jorge Luis Borges

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“When it was proclaimed that the Library comprised all books, the first impression was one of extravagant joy. All men felt themselves lords of a secret, intact treasure. There was no personal or universal problem whose eloquent solution did not exist — in some hexagon. The universe was justified, the universe suddenly expanded to the limitless dimensions of hope.”

That was basically me when I discovered the library for the first time in my life.

Seriously though, Borges’s book was a very interesting read from an intellectual standpoint. He’s one of those authors who asks cool questions like, “What if we construct a fake society that actually starts feeling more real than the society we’re in?” and then rolls with it. All of his stories are basically like that, and you wind up thinking about them long after you’ve read them, which makes them entertaining to read as a result.

Ficciones also has the benefit of containing a lot of his great stories. You have the “Library of Babel,” “The Garden of Forking Paths,” “The Circular Ruins,” and “Death and the Compass.” What more could you want?

So if you’ve never read Borges before, and if you love intellectual speculation, Ficciones is a perfect place to start.

Arise and Walk, by Yuri Nagibin,
Translated by Catherine Porter

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“[About a prisoner calling his wife from Siberia] The operator wound the handle of the receiver, and wound it again. The receiver filled with rustling, crackling sounds, like wind stirring along an autumn forest path […] The voice of space is plaintive and troubled, and fills the heart with fear. Then suddenly, from far, far away, at the other end of the world, he clearly heard the voice of his former wife: ‘Yes?’ The tiny line had finally reached out to him, and tiny though it was, he suddenly felt terribly close to this long-lost family from which he was probably excluded now for ever. ‘Hello there Katya!’ he yelled. ‘How are you all?’ ‘All right.’ The voice was stiff and cold–but maybe it was just the distance that made it sound so.”

While Borges’s book was filled with intellectualism, Nagibin’s book is filled with emotion, which made them good to read in the same week.

Arise and Walk is about a boy whose father gets sent to prison in Siberia. As he grows up, the boy preserves a relationship with him, visiting him and sending him packages. At the same time, the Stalinist state penalizes people whose relatives are prisoners, so we see how the protagonist has to hide his father’s existence from his friends, co-workers, and acquaintances.

This book was very good. It had something of Chingiz Aitmatov in it, so I can’t say exactly what. Maybe in the way they both felt sincere and were thus able to elicit emotions in the reader (at their best, anyway).

Even though this book was good, something felt like it was missing. We learned a lot about the father (who was a very good character), but less about the son (other than that he had conflicting feelings about his father). He never went through an arc of his own, even though he was the protagonist. Contrast this with Chingiz Aitmatov’s Jamila, where the protagonist tells a story about other people, but is changed by it himself. Maybe that’s what was missing from Arise and Walk.

After reading the book, I was surprised by two things. First of all, that Nagibin’s own father had been arrested. Maybe this would explain the sincerity of his story. Second of all (and less relevantly), that he wrote an Oscar-winning screenplay for a Kurosawa film. Yes. You can read more here.

Until next week! Have a happy Hanukkah (if you celebrate), and read books, because they justify the universe and expand it to the limitless dimensions of hope.

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